The iconic Great Sphinx of Giza is a monument that has been around for thousands of years and is one of the most recognizable landmarks in the world. However, nobody can really say, what it was about, how it was built and for what purpose.
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Located in Egypt, the Sphinx of Giza is an impressive structure that has captivated travelers for centuries and spunned numerous theories, both scientific and magical.
After decades of research, American archaeologist Mark Lehner may have some answers about the mysteries of the Egyptian colossus.
Recognized today as one of the world’s leading Egyptologists and Sphinx authorities, Lehner has conducted field research at Giza during most of the 37 years since his first visit. (Hawass, his friend and frequent collaborator, is the secretary general of the Egyptian Supreme Council of Antiquities and controls access to the Sphinx, the pyramids and other government-owned sites and artifacts.)
Applying his archaeological sleuthing to the surrounding two-square-mile Giza plateau with its pyramids, temples, quarries and thousands of tombs, Lehner helped confirm what others had speculated—that some parts of the Giza complex, the Sphinx included, make up a vast sacred machine designed to harness the power of the sun to sustain the earthly and divine order. And while he long ago gave up on the fabled library of Atlantis, it’s curious, in light of his early wanderings, that he finally did discover a Lost City.
The Sphinx was not assembled piece by piece but was carved from a single mass of limestone exposed when workers dug a horseshoe-shaped quarry in the Giza plateau. Approximately 66 feet tall and 240 feet long, it is one of the largest and oldest monolithic statues in the world.
Nobody knows its original name. Sphinx is the human-headed lion in ancient Greek mythology; the term likely came into use some 2,000 years after the statue was built. There are hundreds of tombs at Giza with hieroglyphic inscriptions dating back some 4,500 years, but not one mentions the statue.
"The Egyptians didn’t write history," says James Allen, an Egyptologist at Brown University, "so we have no solid evidence for what its builders thought the Sphinx was....Certainly something divine, presumably the image of a king, but beyond that is anyone’s guess." Likewise, the statue’s symbolism is unclear, though inscriptions from the era refer to Ruti, a double lion god that sat at the entrance to the underworld and guarded the horizon where the sun rose and set.
The face, though better preserved than most of the statue, has been battered by centuries of weathering and vandalism. In 1402, an Arab historian reported that a Sufi zealot had disfigured it "to remedy some religious errors."
Yet there are clues to what the face looked like in its prime. Archaeological excavations in the early 19th century found pieces of its carved stone beard and a royal cobra emblem from its headdress. Residues of red pigment are still visible on the face, leading researchers to conclude that at some point, the Sphinx’s entire visage was painted red. Traces of blue and yellow paint elsewhere suggest to Lehner that the Sphinx was once decked out in gaudy comic book colors.
The question of who built the Sphinx has long vexed Egyptologists and archaeologists. Lehner, Hawass and others agree it was Pharaoh Khafre, who ruled Egypt during the Old Kingdom, which began around 2,600 B.C. and lasted some 500 years before giving way to civil war and famine.
It’s known from hieroglyphic texts that Khafre’s father, Khufu, built the 481-foot-tall Great Pyramid, a quarter mile from where the Sphinx would later be built. Khafre, following a tough act, constructed his own pyramid, ten feet shorter than his father’s, also a quarter of a mile behind the Sphinx.
But who carried out the backbreaking work of creating the Sphinx? In 1990, an American tourist was riding in the desert half a mile south of the Sphinx when she was thrown from her horse after it stumbled on a low mud-brick wall. Hawass investigated and discovered an Old Kingdom cemetery. Some 600 people were buried there, with tombs belonging to overseers—identified by inscriptions recording their names and titles—surrounded by the humbler tombs of ordinary laborers.
Near the cemetery, nine years later, Lehner discovered his Lost City. He and Hawass had been aware since the mid-1980s that there were buildings at that site. But it wasn’t until they excavated and mapped the area that they realized it was a settlement bigger than ten football fields and dating to Khafre’s reign.
If Lehner is right, Khafre’s architects arranged for solar events to link the pyramid, Sphinx and temple. Collectively, Lehner describes the complex as a cosmic engine, intended to harness the power of the sun and other gods to resurrect the soul of the pharaoh. This transformation not only guaranteed eternal life for the dead ruler but also sustained the universal natural order, including the passing of the seasons, the annual flooding of the Nile and the daily lives of the people. In this sacred cycle of death and revival, the Sphinx may have stood for many things: as an image of Khafre the dead king, as the sun god incarnated in the living ruler and as guardian of the underworld and the Giza tombs.
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